∈Y∋ (BOREDOMS) stands before a radiant vortex of light at FINALBY( ) LIVE in Kabukicho — a ritual of sound, vision, and controlled chaos.
FINALBY( ) Invades Kabukicho: A Ritual of Noise, Light, and Space-Time Distortion
On October 25, 2025, Tokyo’s sin-electric heart is about to short-circuit. FINALBY( ), the shape-shifting audiovisual organism powered by ∈Y∋ of BOREDOMS and experimental art collective COSMIC LAB, will descend upon ZEROTOKYO for a one-night mind melt titled FINALBY( ) LIVE in 歌舞伎町EXPANDED. More than a show, this is an exorcism of boundaries—between sight and sound, between ritual and rave, between Tokyo’s overcoded nightlife and something still wild. With only two hours on the clock, FINALBY( ) will open a rift in the night, detonate it with XR visual sorcery, and pull every single body through it.
This isn’t some casual DJ night or faux-immersive Instagram trap. It’s the next phase in FINALBY( )’s evolution—a post-Fuji Rock, post-Misono Universe resurrection that threads Japan’s underground history into a live circuit board of memory, madness, and media. It’s been called a funeral, a rebirth, a technological séance. If you saw their July performance in Osaka—where FINALBY( ) closed out 70 years of the legendary Misono Universe club with a metaphysical gut punch of strobes and spiritual warfare—then you know what’s coming isn’t a concert. It’s a transcendental weapon cloaked in AV production, sonically engineered to shake your insides loose.
ZEROTOKYO, Kabukicho’s newest and most complex venue system, becomes the altar. Its XR-ready infrastructure—designed by COSMIC LAB and Faith Property—will sync audio, light, and environment with surgical precision. Imagine if every pixel and decibel was part of a giant, machine-learning deity, and you’re getting close. FINALBY( ) thrives in this kind of deep integration. ∈Y∋’s presence at the center means we’re in the company of a true noise god—one who’s shared astral plane coordinates with Sonic Youth, Beck, and Otomo Yoshihide. Add in the raw physicality of Kanta Horio’s machine-based sound art and Taiki Niimi’s custom circuit-driven audio synthesis, and what you get is a sonic spellbook written in flesh, code, and voltage.
Tickets are available now, and they’re going fast. Early bird slots dropped at ¥5,000, with standard pre-sale at ¥6,500 and a youth-accessible U25 tier back at ¥5,000. One ticket gets you into the AFTERPARTY, too: DOMMUNE’s SOUNDGATE experience kicks off immediately after the main event and rolls deep into the early hours with legends like 石野卓球, 大沢伸一, KEN ISHII, and 砂原良徳 holding court. No livestreams. No replays. If you’re not there in the room, you’re not anywhere this is happening.
So here’s your warning and your invitation. FINALBY( ) isn’t interested in being remembered—it’s interested in disrupting memory itself. In a city saturated with simulation, FINALBY( ) offers contact. Not nostalgia, not futurism—contact. This is the sound of Japan’s forgotten gods waking up in the circuitry of modern Tokyo, using light and rhythm to make themselves known. Be there. Or be left orbiting the void alone, wondering why your chest still echoes like a speaker that forgot what silence sounds like.